Lýsing:
Contemporary art can be baffling and beautiful, provocative and disturbing. This pioneering book presents a new look at the controversial period between 1945 and 2015, when art and its traditional forms were called into question. It focuses on the relationship between American and European art, and challenges previously held views about the origins of some of the most innovative ideas in art of this time.
Major artists such as Jackson Pollock, Robert Rauschenberg, Andy Warhol, Joseph Beuys, Gerhard Richter, Louise Bourgeois, Cindy Sherman, Jeff Koons, and Shiran Neshat are all discussed, as is the art world of the last fifty years. Important trends are also covered including Abstract Expressionism, Pop Art, Minimalism, Conceptualism, Postmodernism, and Performance Art. This revised and updated second edition includes a new chapter exploring art since 2000 and how globalization has caused shifts in the art world, an updated Bibliography, and 16 new, colour illustrations.
Annað
- Höfundur: David Hopkins
- Útgáfa:2
- Útgáfudagur: 2018-06-20
- Hægt að prenta út 2 bls.
- Hægt að afrita 2 bls.
- Format:ePub
- ISBN 13: 9780191084492
- Print ISBN: 9780199218455
- ISBN 10: 0191084492
Efnisyfirlit
- Cover page
- Halftitle page
- Series page
- Title page
- Copyright page
- Contents
- Introduction
- Chapter 1 The Politics of Modernism
- Lost politics: Abstract Expressionism
- Cold War aesthetics
- Art and social function
- The bodily and the transcendent: France and America
- Modernism
- The fallout from Modernism: critiques of Greenberg
- Chapter 2 Duchamp’s Legacy
- Marcel Duchamp
- The spectator’s share: Cage, Rauschenberg, and assemblage
- McCarthyism and masculinity
- Metaphors of sexual identity: Jasper Johns
- The aesthetics of indifference
- Readymades and replications
- Chapter 3 The Artist in Crisis
- Humanism and individualism: British and French figuration in the 1950s
- Art and commodity: New Realism
- The commodification of spirituality: Yves Klein
- The body’s economy: Piero Manzoni
- The artist–hero: Beuys and West German art
- Chapter 4 Blurring Boundaries
- Pop culture and mechanical reproduction: the Independent Group
- ‘The aesthetics of plenty’: Pop Art in Britain
- ‘The gap between art and life’: Happenings, Fluxus, and anti-art
- Pop Art in America: Lichtenstein and Warhol
- Pop and politics: the US and West Germany
- Chapter 5 Modernism in Retreat
- The non-relational: Reinhardt, Stella, Judd
- Minimalism and anti-rationalism
- ‘Art and Objecthood’: Fried and his detractors
- Anti Form and body metaphors: Hesse and Bourgeois
- Minimalist legacies: sculpture, film, public art
- Chapter 6 The Death of the Object
- 1968: political radicalism and counterculture
- Institutional critique: Broodthaers and Haacke
- Art into life: Arte Povera
- Primordial returns: Smithson, Land Art, and language
- Dematerialization: Conceptual Art
- The rise of semiotics: Burgin and conceptualism
- Gender positions: feminism and art
- Questions of ‘presence’: Body Art and Performance
- Chapter 7 Postmodernism
- Theories of the postmodern
- The return to painting
- The backlash against painting: photo-related practices
- The ‘postmodern sublime’: permutations of photo-painting
- Art and difference
- Simulation and abjection: the late 1980s
- Installation as a paradigm
- Chapter 8 The 1990s
- The British art revival
- Video and narrative
- Individualism, localism, and globalization
- Psychic resources: post-Surrealism; childhood; masculinity
- Fin de siècle: memory
- Chapter 9 Art and the New Millennium
- The spectacle of capital: art and the Internet
- The art system post-2000
- Global aesthetics: displacement, migration, borders, identity
- Aesthetic trends: relational art
- Post-medium/return to medium
- ‘Contemporary art’: the sense of an ending
- Notes
- Further Reading
- Timeline
- Galleries/Museums
- Picture Credits
- Index
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- Gerð : 208
- Höfundur : 9529
- Útgáfuár : 2018
- Leyfi : 380