Efnisyfirlit

• Title
• Copyright
• Dedication
• Contents
• Preface
• 1 Some Ways to Think About Documentary
  • Description
  • Definition
  • Intellectual Contexts
  • Pre-Documentary Origins
  • Books on Documentary Theory and General Histories of Documentary
• 2 The Work of Robert and Frances Flaherty
  • The Flaherty Way
  • The Flaherty Legacy
  • Chapter Related Films
  • Chapter Related Books
• 3 The Soviets and Political Indoctrination, 1922–1929
  • Reportage/Newsreel
  • Compilation
  • Epic
  • Fiction and Documentary
  • The Fiction Films
  • Chapter Related Films
  • Chapter Related Books
• 4 The European Avant-Garde Experimentation, 1922–1929
  • Aesthetic Predispositions
  • Avant-Garde and Documentary
  • Three City Symphonies
  • Changes in the Avant-Garde
  • Chapter Related Films
  • Chapter Related Books
• 5 Institutionalization: Great Britain, 1929–1939
  • Background and Underpinnings
  • The System
  • The Films
  • Grierson and Flaherty
  • Grierson’s Contribution
  • Chapter Related Films
  • Chapter Related Books
• 6 Institutionalization USA, 1930–1941
  • The March of Time
  • Government Documentaries
  • Non-Government Documentaries
  • Conclusions
  • Dénouement
  • An Aside to Conclude
  • Chapter Related Films
  • Chapter Related Books
• 7 WWII
  • Part A: Great Britain
  • Early Days
  • Indoctrination
  • Social Documentary
  • Records of Battle
  • Part B: Canada
  • Founding of National Film Board
  • Theatrical Series
  • Nontheatrical Films
  • Summary
  • Part C: United States
  • Training
  • Indoctrination – Why We Fight
  • Records of Battle
  • Social Documentary
  • Comparisons: Great Britain, Canada, United States
  • Chapter Related Films
  • Chapter Related Books
• 8 Post-war Documentary, 1945–1961
  • Personnel and Leadership
  • Sponsorship
  • USIA Films
  • Canada
  • Subjects
  • Internationalism
  • Approaches and Techniques
  • Observations
  • Chapter Related Films
  • Chapter Related Books
• 9 Documentary for Television, The ‘Golden Years,’ 1951–1971
  • Historical Background
  • Documentary Series
  • Special Characteristics of Television Documentary
  • Chapter Related Films
  • Chapter Related Books
• 10 British Free Cinema and New American Cinema, 1953–1960
  • Critical Background
  • Free Cinema Films
  • The United States
  • Chapter Related Films
  • Chapter Related Books
• 11 Cinéma vérité, direct cinema, 1958–1970
  • Historical Background
  • New Technology and First CV/Direct
  • Direct cinema vs. cinéma vérité
  • Effects on Documentary Subjects and Styles
  • Frederick Wiseman
  • Conclusion
  • Chapter Related Films
  • Chapter Related Books
• 12 The 1970s: Power to the People
  • Some Established Filmmakers
  • New Directions in CV/Direct
  • Political Emphases and Vietnam
  • Newsreel Collectives
  • Feminist Resurgence
  • Challenge for Change
  • Public Access Television
  • Other Emerging Organization
  • Chapter Related Films
  • Chapter Related Books
• 13 Video Arrives
  • Cable and Satellite Technology
  • Personal Essay Film
  • Compilation
  • Strictly Political
  • Social and Ethnic Minorities
  • Representing Gay and Lesbian Culture
  • Chapter Related Films
  • Chapter Related Books
• 14 Reality Bytes
  • Business and Technology: The Bad and The Good
  • American Public Television
  • Archival Documentary
  • The Ken Burns Phenomenon
  • Canada Soldiers On
  • Developments in the UK
  • American Independents
  • Chapter Related Films
  • Chapter Related Books
• 15 Documentary Tradition in the Twenty-First Century
  • Werner Herzog
  • Steve James, Alex Gibney, Davis Guggenheim
  • Erroll Morris, Sinofsky & Berlinger, Stanley Nelson
  • Women Documentarians
  • Experimental Documentary
  • Theatres and Festivals
  • Chapter Related Films
  • Chapter Related Books
• 16 Now and When
  • Aesthetics and Content
  • Finance
  • Documentary Un-reality
  • Peter Watkins
  • Intimate Doings of Reality
  • Academic Approaches
  • Emergent Technologies
  • Social Media
  • Commitment to History
  • Conclusion
  • Chapter Related Films
  • Chapter Related Books
• Appendix One Academy Awards for Best Documentary Feature
• Appendix Two The National Film Registry
• Index

UM RAFBÆKUR Á HEIMKAUP.IS

Bókahillan þín er þitt svæði og þar eru bækurnar þínar geymdar. Þú kemst í bókahilluna þína hvar og hvenær sem er í tölvu eða snjalltæki. Einfalt og þægilegt!

Rafbók til eignar
Rafbók til eignar þarf að hlaða niður á þau tæki sem þú vilt nota innan eins árs frá því bókin er keypt.

Þú kemst í bækurnar hvar sem er
Þú getur nálgast allar raf(skóla)bækurnar þínar á einu augabragði, hvar og hvenær sem er í bókahillunni þinni. Engin taska, enginn kyndill og ekkert vesen (hvað þá yfirvigt).

Auðvelt að fletta og leita
Þú getur flakkað milli síðna og kafla eins og þér hentar best og farið beint í ákveðna kafla úr efnisyfirlitinu. Í leitinni finnur þú orð, kafla eða síður í einum smelli.

Glósur og yfirstrikanir
Þú getur auðkennt textabrot með mismunandi litum og skrifað glósur að vild í rafbókina. Þú getur jafnvel séð glósur og yfirstrikanir hjá bekkjarsystkinum og kennara ef þeir leyfa það. Allt á einum stað.

Hvað viltu sjá? / Þú ræður hvernig síðan lítur út
Þú lagar síðuna að þínum þörfum. Stækkaðu eða minnkaðu myndir og texta með multi-level zoom til að sjá síðuna eins og þér hentar best í þínu námi.



Fleiri góðir kostir
- Þú getur prentað síður úr bókinni (innan þeirra marka sem útgefandinn setur)
- Möguleiki á tengingu við annað stafrænt og gagnvirkt efni, svo sem myndbönd eða spurningar úr efninu
- Auðvelt að afrita og líma efni/texta fyrir t.d. heimaverkefni eða ritgerðir
- Styður tækni sem hjálpar nemendum með sjón- eða heyrnarskerðingu